Showing posts with label commemoration. Show all posts
Showing posts with label commemoration. Show all posts

Thursday, March 17, 2011

Mourning and Meaning: Friends

Grief is not exclusively “family property;” losing a friend whom we've loved is also a kind of bereavement. Although it’s not the same as the loss of a child or a sibling, a friend’s death presents us with similar questions: What does it mean that a person who was once very much present in our lives has left her own life? What does this say about our own mortality? And when our friend has died before her time, how can we draw meaning from that which seem so senseless?

Nehama Grenimann Bauch was Timora’s first friend; they first started playing when both were less than a year old. Our families live in the same neighborhood and belong to the same religious community, Kehillat Yedidya, and they were in the same class through eighth grade. Although they attended different high schools and drifted apart in adolescence, they became closer again during Timora’s last year. During Timora’s shiva, the first seven intensive days of family mourning, Nehama came and sat with us almost every day, some days for several hours. And not just to comfort us; she felt so bereft that she felt she needed to sit shiva herself.

Different people make meaning from traumatic loss in different ways. How we choose to do this depends, of course, on who we are, but also on the loved ones we've lost - who they were, and the special character of our connection. Nehama and Timora shared many things, prominent among them a creative and artistic nature. Timora was drawn mainly to writing, theater, and music, whereas Nehama excelled – and continues to excel – in the plastic arts, principally painting and sculpture. Both girls also inherited from their families a zeal for tikkun olam – the imperative to make the world a better place.

So it shouldn’t surprise that Nehama chose to process her friend’s death by combining these two passions – by initiating, organizing, and carrying out a project that has produced art that is both esthetically beautiful and practically useful. Faraway Places has brought together ten artists – Judith Margolis, Sharon Binder, Chana Cromer, Ruth Cohn, Anat Yefet, Galina Blaikh, Julia Lagus, Mallory Serebrin, Zoe Pawlak and Yulia Polyakov – who painted and contributed works that now grace the walls of Hadassah Hospital’s Intensive Care Unit. As I’ve written in my memoir, “patients who awaken [are] greeted not only by sterile white walls and ceilings, metallic IV stands, and cold machines, but also by warm, colorful scenes into which they can escape, in their minds at least, from the harsh reality of the ICU.” The staff has told Nehama that the art is making a tremendous difference both to them and to the patients and their families.

Nehama spent months and months dealing with and mediating among the artists, the hospital bureaucracy, the ICU staff, and the Young Hadassah branch of Hadassah International (through whom she organized the project) in order to get the paintings planned, finished, and onto the ICU walls. As if that weren’t enough, she spent many additional months working on the Young Hadassah Ball, which took place here in Jerusalem a week ago. Every year, the Ball brings hundreds of the organization’s members and supporters together for dinner and dancing, to raise funds for different departments in the hospital. This year – by chance but very fittingly – the money raised will be used to renovate and expand the Pediatric Department.

At the small ceremony that was held right before the finished paintings were hung in the ICU, Nehama spoke at some length about Timora. She said that she chose this way to perpetuate Timora’s memory not because she’s no longer alive, but because of who and what she was for Nehama during her life – an intensely creative soul who actively encouraged her friend (from the time they were four years old!) to become an artist.

Timora would have been very proud indeed to have her name attached to the lovely works that these generous artists have created, and to a project that is directly benefiting the two Hadassah departments in which she was cared for so long, so professionally, and with such dedication. And even prouder to be Nehama's friend than she already was when the two were together in this life.

When I think about it, though, perhaps I can say that she is proud, as she follows her friend's fortunes from wherever her spirit has finally come to rest.

Saturday, January 08, 2011

Tapas and Tribute

One thing all bereaved parents have in common is a need to memorialize the child we've lost. In both my original blog and my memoir, I tried to commemorate the Timora who lived for eighteen short but full years, and who left so much of herself behind. This past Thursday evening I had the opportunity, together with many others, to join my close friends Judith and Jeff Green in doing this for their son Asher, who was killed three years ago in a tragic hiking accident in Peru, at the age of twenty-eight. I found the evening a deeply meaningful way to celebrate Asher’s life while at the same time mourning his passing.

Asher was an extremely lively, inventive, and curious young man with an artist’s soul and more than his share of talent. He painted and drew, spent time in film school, and earned a certificate in theater design before settling on culinary arts as his calling. Like Timora, he left – in addition to memories of his unique self – an artistic and creative legacy.

The evening started with one of the gastronomic delights that Asher most enjoyed, a tapas bar – a wide assortment of light foods – which the guests sampled while circulating and socializing. (It was, I believe, no accident that Asher was attracted to tapas; the dishes’ variety reflects the multiplicity of his own interests and gifts.) The Greens served dishes Asher loved to make, in the warm and friendly atmosphere he'd dreamed of creating in the restaurant he hoped to open.

After we filled up on the twenty or so different offerings, we retired to the living room, where we watched several clips and short films relating to Asher, including a television interview in which he participated when he was sixteen; a film he made about Miriam Render, a friend of his who hasn’t let cerebral palsy prevent her from living a full and creative life; and his chef school presentation of his planned restaurant. We enjoyed his sharp intelligence, wit, and self-assurance, which made us laugh at more than one point during the viewing.

Our mood turned somber, though, as we watched the evening’s last film, which was made by Asher’s brother-in-law Ofer. It documented the several days that he and Asher’s brother Boaz spent searching for him, to no avail, together with a team from the Peruvian police’s high-mountain rescue unit (a villager later found Asher’s body, several weeks after he’d disappeared). One of the ways the Greens later memorialized their son was by returning to the village to present the rescue unit, whose members had risked their lives to retrieve Asher’s body, with modern climbing equipment. They also thanked the villagers, who'd been open, caring, and forthcoming with whatever assistance they could provide, by purchasing equipment for the village children’s schools. Like the evening itself, the Greens’ generous gifts were a singularly appropriate tribute to their openhearted son.

I was left thinking how the evening reflected the two faces of mourning. We keenly felt Asher’s absence even as we enjoyed the tapas that he so loved to make and serve. And, later, sadness overcame us when Ofer’s film showed us the wrapped bundle that had been Asher, as the rescue team pulled it up the mountainside. But at the same time, we took comfort in feeling the echo of his full-to-brimming vitality in his art, his films, his food, and – most of all – the love of his family and friends.

To me, Jeff and Judith’s ability to create such an evening expresses our human capacity for resilience even in the face of unfathomable grief. Without denying the emotional devastation that the death of their child has brought them, they have chosen to embrace his life. I believe that in doing so, they are also embracing their own.

Dedicated to Asher Green: May His Memory Be a Blessing